Emma Enderby, Senior Curator at The Shed, is joined by Natalie Musteata, a curator, writer, and film producer. These leaders in the contemporary art realm will share their experiences in the curatorial field across various institutions and platforms.
$5 Members | $15 Non-Members
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About Emma Enderby
Emma Enderby is senior curator at The Shed, where she has organized the retrospective exhibitions Agnes Denes: Absolutes and Intermediates, as well as Collision/Coalition (featuring Tony Cokes, Oscar Murillo, Vanessa Bergonzoli and Yanina Valdivieso), Open Call (52 emerging artists), and Trisha Donnelly. As adjunct curator at Public Art Fund, Enderby curated Tauba Auerbach: Flow Separation (2018); and as associate curator, she curated the solo presentations Katja Novitskova: EARTH POTENTIAL (2017), Spencer Finch: Lost Man Creek (2016–18), and David Shrigley: MEMORIAL (2016–17), along with group exhibitions Commercial Break (2017) and The Language of Things (2016). Previously, as exhibitions curator at the Serpentine Galleries, London, she organized exhibitions including Hilma af Klint: Painting the Unseen (2016), Rachel Rose: Palisades (2015), Leon Golub: Bite Your Tongue (2015), Trisha Donnelly (2014), and Haim Steinbach: once again the world is flat (2014) and assisted on Adrián Villa Rojas: Today We Reboot the Planet (2013). She was also co-project curator for the Serpentine’s Pavilion commissions of selgascano (2015) and Smiljan Radić (2014). Previously, she worked at the Royal Academy of Arts, London and Whitechapel Gallery, London.
About Natalie Musteata
Natalie Musteata is a curator, writer, and film producer. She holds a Doctorate in art history and a film certificate from The Graduate Center, CUNY. She is the curator of several exhibitions including if I can't dance to it, it's not my revolution (2014), Haverford College, and UNREST: Revolt against Reason (2012), apexart. In collaboration with contemporary artist Alexandre Singh, she recently produced the imaginative short film The Appointment and co-curated the exhibition A Gothic Tale (2019–2020) at the Legion of Honor Museum, San Francisco. At The New School, she has taught courses on art and film history, including "Art into Action: Socially-Engaged Practices in the 20th Century" and "Performance and Participation in the 20th Century." She writes regularly for numerous publications, including Artforum and Mousse, and has organized conferences and presented papers internationally at such institutions as Centre Georges Pompidou and the New Museum. Recent publications include “Judy Chicago, Miriam Schapiro, and the CalArts Feminist Program, ‘Womanhouse,’ 1972,” in The Artist as Curator (2017), “The Origins of the Transhistorical Museum: The Artist as Curator” in The Transhistorical Museum (2018), and “Odd Walls, Even Pages: Andy Warhol as Curator and Publisher” in Andy Warhol Exhibits a glittering alternative (forthcoming April 2020).